Saturday 11 January 2020

80 More Gays Around the World: 2) A Dancing Legacy

Last time on “80 More Gays”: 1) k. d. lang (b.1961) performed at the closing ceremony of the 1988 Calgary Winter Olympics which featured the “Battle of the Brians” between skaters 2) Brian Orser (b.1961) and 3) Brian Boitano (b.1963), the latter skating to music from the ballet “Les Patineurs” which was originally choreographed by 4) Sir Frederick Ashton (1904-1988).

4) Sir Frederick Ashton was not the first choice of choreographer the brand new ballet, “Les Patineurs” (The Skaters). The musical director of the Vic-Wells Ballet Company in London, Constant Lambert, who had come across an old programmer from the ballet “Les Plaisirs de l’Hiver, ou, Les Patineurs” and this gave him the idea of creating a new ballet with a skating theme.

Lambert picked out some tunes and songs from a couple of operas by Giacmomo Meyerbeer (1791-1864) – “Le Prophete” and “L’Etoile du Nord”. He arranged them into his new ballet, from which 3) Brian Boitano would select music for his short programme in 1988.

Lambert had thought of asking renowned ballet dancer Ninette de Valois to choreograph “Les Patineurs”, but Sir Frederick Ashton heard Lambert playing the music on his piano and urged Lambert to let him choreograph the ballet instead.

“Les Patineurs” premiered on 16th February 1937 at Sadler’s Wells Theatre in London. Within three months the BBC transmitted a live performance from Alexandra Palace in one of the earliest ballets shown on television.

Sir Frederick began a long dancing association with Ninette de Valois in 1931. He started creating ballets for the Vic-Wells Ballet Company which she founded and he became resident choreographer. Throughout his career Sir Frederick created or choreographed over fifty ballets.

After his death the rights and royalties to his ballets went to various friends and colleagues. “Les Patineurs” was left to 5) Brian Shaw (1928-1992).

Brian Shaw (whose full surname was Earnshaw) had performed in “Les Patineurs” since the 1940s to great acclaim. He had a “Billie Elliott”-style background – a working-class boy who wanted to become a ballet dancer. He moved from Yorkshire to London to study at Sadler’s Wells, the new name for the Vic-Wells Ballet Company, and became a solo dancer at the young age of 16.

Within a couple of years Brian Shaw was promoted to principal dancer and had roles and ballets created especially for him. One of those roles was created in 1951 by Sir Frederick Ashton in a new ballet called “Tiresias”.

“Tiresias” was created for the Festival of Britain, a massive national celebration of arts and culture. The ballet received its premiere on 9th July 1951 with Queen Elizabeth the Queen Mother in attendance. Despite critical reviews the ballet was produced another 22 times in the following four years.

Long-time readers of my blog may recognised the name Tiresias. He was a figure from Greek mythology about whom I wrote several years ago in two articles. He was the blind prophet and transgender priestess 6) Tiresias.

Perhaps the reason the critics didn’t like the ballet was because of the transgender theme. Perhaps it was a concept that the 1950s were not ready for.

The role created by Sir Frederick Ashton for Brian Shaw was not the title role. That was split between Michael Somes and Margot Fonteyn. Brian Shaw played one of the two snakes having sex that Tiresias encounters. Striking one of the snakes caused Tiresias to change sex. The story is told in more detail in my previous articles.

One other aspect of the legend of Tiresias is that he was struck blind. My previous articles mentioned how it was the goddess Hera who blinded him but ancient myths often have variations. Among these is a story in which he was blinded by the gods because he was revealing their secrets to the mortal world. Another variation, which became popular as the inspiration for poetry and art in Victorian England, was that Tiresias was blinded by another Greek goddess, one who, like Tiresias, had transgender qualities. She was 7) Athena.

Next time on “80 More Gays”: We take an odyssey to wonder at some ancients buildings.

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