Among the many lgbt
pageants and titles are several being decided this week. Dallas is hosting this
year’s annual International LeatherSIR, Leather boy, and Community Bootblack
titles. Even though the contests are termed “International” they are
effectively just North American contests with entrants for the USA and Canada.
Rather than give a history
of the competitions I want to write about the Leather Boy flag (pictured below)
because it also appears at other leather contests as well.
The Leather Boy flag
predates the current International Leather Boy contest. Many leather clubs
around North America held their own contests to find regional title-holders who
qualified for the Drummer Sir and Drummer Boy contests which predate the
current International contests. What makes those contests and the International
Leather Sir and Boy contests different from the International Mr Leather title
is an emphasis on the erotic and sexual nature of the leather community.
In January 1998 the Mid
Atlantic Leather (MAL) contest was held. One of those competing was Keith C.
Pollanen, a member of the DC Boys of Leather club (DCBOL) in Washington. The
previous year he had got himself a tattoo of the Leather Pride flag. This flag
had been designed in 1989 by Tony DeBlase and had become an established symbol
of the leather community by 1998.
Keith was approached by a
man at the Mid Atlantic Leather contest who noticed Keith’s tattoo. Rather than
paraphrase Keith’s own description of how he came up with the Leather Boy flag
in response to this encounter, here is his description as published in “Woolf
Watch” on 6th June 2007.
“The
boy pride flag idea came to me at Mid Atlantic Leather 98 in which I was competing.
The year before I had gotten a tattoo of the leather pride flag on my arm. As
MAL got underway a gentleman came up to me and asked about the tattoo on my
arm. Asking me what it was and why I got it. He also made an odd comment: ‘You
know that will never come off’.
I
explained to him that it was the Leather Pride flag. I had gotten because
that’s what I am, and I am proud to wear it on my sleeve. After his odd comment
I replied ‘I hope not’. We went on our separate ways.
Later
that evening the contestants were gathered to meet the judges. As I was being
introduced we got to the man that approached me earlier. He said ‘We met
earlies, hi, I am Tony DeBlase’. After the Meet and Greet Tony and myself
chatted for a while. I explained to him I was a boy, and asked him if there was
a Boy Pride Flag? He said he wasn’t aware of any. At that moment I had the
first idea.
The
idea hadn’t been put into motion till about a year later, I emailed Tony my
Draft of the proposed flag to get his ok and approval of, being the
similarities of the Leather Pride Flag. I still have the email response from
him. It simply read: Keith, It looks great! Tony. I never publicly announced
the flag but used it as a personal symbol.
When
the DCBOL was founded, I bought up the flag and offered to design the club
colors. At the second meeting the design was approved by DCBOL for the club
colors and the Flag was now sparking interest.
The
first flag was produced with a friend of mine. (Robert Dogan) Robert had
excellent sewing skills and I called on him to assist me in making the flag so
that DCBOL could carry it in the DC Pride Parade. It took us 6 hours and what
looked like a 10 year old could have done in 15 minutes. But it is a grand
Flag. Roughly 3 feet by 5 feet the first ever physical Leatherboy Pride flag
was created January 2000. Later that year it was donated to the Leather
Archives and Museum. Where it still is today.
The
design was based on the leather pride flag, equal number of stripes, but they
are diagonal from left to right, left higher symbolizing the Sir, and the right
lower representing the boy. The heart was moved to the right to show where the
boys heart is, and the blue changed to green to represent boy.
The
flag has become more known and recognized as the boy movement of the 2000’s had
grown. I took Tony DeBlase’s concept with the flag: It is for the community and
as long as it is not disgraced anyone may use it. Produce it and profit from
it. I copyrighted it in June 1999, but consider it public domain.”
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