A Queer Bogeyman

Hallowe’en is with us again, with its US-inspired misappropriation and distortion of traditional European customs and neo-pagan fakery.

The world is full of monsters and evil spirits who “live” all year round in every culture. There are no supernatural spirits that are specifically associated with Hallowe’en (unlike Christmas). Some of these spirits lurk in the shadows, ready to pounce on the unsuspecting. They are a wide range of bogeymen, a general name given to the many different types of spirits and monsters in all sizes and physical forms often used by parents to keep their children in order.

In South Africa there’s a bogeyman that has some gender-bending characteristics called Antjie Somers.

While most bogeymen originate in centuries-old folk belief, Antjie Somers can be traced back to more recent times. The first printed reference appears in a South African magazine called “The Friend of the Free State”, published in Bloemfontein on 10th August 1866. I haven’t been able to track down a copy of this edition but I have found snippets and references to it from other sources. From these it seems that Antjie Somers was a devilish character who stalked the streets at night, preying on lone travellers or looking for naughty children to carry away in his sack.

Several different urban legends and folk motifs merge in this Afrikaan bogeyman. First there is the Sackman, common throughout the world in many forms, including the original 19th century American Santa Claus who has a sack from which he distributes presents to good children and kidnaps naughty children (later downgraded to a “naughty list”).

Another common folk motif in Antjie Somers is the urban myth of a highwayman or robber disguising himself as a vulnerable character in need of protection or rescue. The urban myth of a hitch-hiker who appears innocent and turns into a bogeyman is still quite common. Although hitch-hiking bogeymen are scary they are also not very intelligent. Victims who see through the disguise can easily make an excuse to stop the car or horse and carriage by saying they accidentally dropped something onto the road, or there’s an obstruction ahead and ask the hitch-hiker to get out and pick up or remove the object. The potential victim can then just to drive off at speed, leaving the bogeyman behind.

A third common folk motif is one which concerns us today, that Antjie Somers is a male bogeyman disguised as a woman. This is a variation on the preceding hitch-hiker motif (commonly referred to as “the hairy-armed hitch-hiker”). There’s several indexes of world folk motifs. In the Thompson Folk Motif Index, for example, tales of a man disguising himself as a woman is category K.1836.

The 1866 “The Field” article states that there were two bogeymen called Antjie Somers and Antjie Winter, one operating in summer and the other in winter, hence their names. The article indicates that the characters were known from the time of Lord Charles Somerset who was the Governor of Cape Colony 1815-26.

Over the decades, these urban myths merged to produce the Antjie Somers known today. Such additional myths include his ability to become invisible and to fly around in the sky, other common motifs applied to evil spirits in European folk tales. The Dutch, the ancestors of the Afrikaans, certainly had legends about female-disguised robbers, as did other European colonists.

By the mid-20th century the stories of Antjie Somers had been reduced to those told to scare children. This was part of a general global turn from traditional folk stories and customs as humanity began to turn away from old days of superstition and into the modern scientific and technological world.

When Pieter W. Grobbelaar, a South African author and folk tale collector, published his 1968 book “The Most Beautiful Afrikaans Fairy Tales”, he wrote the “full story” of Antjie Somers. Briefly, it went like this: Andries Somers was a brave and strong Afrikaans fishermen. No-one could haul in the full nets as fast as he could. One day, the other fishermen became jealous and attacked him. Andries knocked them all to the ground, but one fisherman didn’t get up. He was dead. Andries, hoping to avoid being accused on murder, stole some women’s clothes to disguise himself and ran away. He managed to find work in another part of South Africa. His new work colleagues found the stolen clothes in his hut and began taunting him, calling him by the female name Antjie Somers. Andries could bear it no longer and fled once more and was never seen again. However, children began talking about an old woman in the mountains who was always angry and kept threatening them. People believed this was Antjie Somers and that children should keep away or he would carry them away in a sack. From this Antjie developed into a bogeyman. This was Grobbelaar’s version.

By the end of the century the origin myths of Antjie Somers had been further elaborated. Rather fancifully, modern social rights were applied to the bogeyman’s origin, including sexism and racism.

The first modern interpretation came from feminist activists who claimed Antjie Somers is proof of the patriarchal misogyny of the 19th century. As mentioned above, Antjie Somers is just one of many variations of combined folk motifs. The Thompson Folk Motif Index lists other disguises used my male bogeymen in folk tales, including animals, old men, and other people. There are also folk motifs of female bogeymen disguising themselves as men, even among the Afrikaans. Even today, most female fiction writers feature men as the main villain. Very few write about evil women.

Next we come to the most obvious fake addition to Antjie Somers, the idea that he was a slave and his myths are racist. I haven’t found any reference to Antjie Somers being either a slave or black before 2000. The version by given by Grobbelaar in 1968 clearly identifies him as Afrikaans, i.e. white, and every other reference I’ve found from that period implies the same.

The black slave link seems to originate in a musical called “Antjie Somers” which premiered in South Africa in 2000. The musical sets the origin of the Antjie Somers legend in 1834 which contradicts the 1866 “The Friend” article which dates if before 1826.

The character of Antjie Somers is portrayed as a black ex-slave. The musical’s creators haven’t said why they changed his race, or why the musical is set in the wrong period. The disturbing aspect, however, is that people who saw it probably went away thinking it was historical fact, like people have who have seen the musical “Hamilton” or the film “Braveheart”.

This is probably why a South African student wrote an MA thesis in 2011 about Antjie Somers which was solely based on the “fact” that the bogeyman was based on a real slave. The student even retold Grobbelaar’s 1968 version of the legend and wrote quite specifically that she changed Antjie’s race to a black purely to suit the purpose of her thesis, not because she had any new proof. Why her university didn’t throw out this student’s pathetic attempt at academic research is puzzling.

Be that as it may, the idea that Antjie was a black slave soon spread across the internet, and every time it appears it is usually repeated word-for-word as if it was fact, so that now it is virtually impossible to find any reference that restores the original version.

One earlier attempt to discover the origin of this bogeyman to find any basis in historical fact was made in the mid-20th century. One South African historian was told a story by a respected poet and folklorist C. Louis Liepoldt (1880-1947) who, in turn, heard the story from an elderly couple in around 1900. In their youth they were told of a real un-named robber who stalked Tuin Street, Cape Town, dressed as a woman. It was a rough area and most people avoided going there at night. When his activities became too well known he feared capture and ran away into the mountains.

This may just have been a story about a different robber, and there are other origins that have been suggested, including being the ghost of someone who committed suicide. Whatever Antjie Somers’ origin story actually is, he’ll be scaring children and travellers for generation to come.

I hope I haven’t put you off going out tonight, so why not stay indoors with a nice bottle of wine. A few years ago you could have enjoyed a nice sauvignon blanc from Folklore Wines in South Africa called Antjie Somers (pictured below). I don’t think it is available now, but you’re free to search around for a bottle.

For me, I’m celebrating Hallowe’en as it was intended, by remembering our ancestors, like the ancient Roman festival in late October which inspired the Roman Catholic Church to create Hallowe’en in the first place. The neo-pagan cultural appropriation of an alleged British Celtic festival unknown to the distant Italian Catholics, is not for me.