Tuesday, 2 June 2015

Taking the Lead

June is Pride Month. Many cities, towns and regions around the world will be filling the whole of June with Pride. And what better subject to head Pride Month than with a group of people who have become synonymous with the head of major Pride parades – the Dykes on Bikes.

Since 2006 the name “Dykes on Bikes” has become an official registered trade name for an international organisation that had its origin in 1976, though the phrase itself had been in use many years beforehand. It was only at the first group participation at the 1976 San Francisco Pride parade that Dykes on Bikes became used by themselves as an identifying name for their emerging movement.

It is inconceivable that motorcycle riders of any gender identification had not participated in a Pride parade or march before 1976. So it is to the credit of the organisers of that year’s San Francisco parade who decided to put the group of about 25 women motorcyclists who attended at the front. This was more of a logistical move than anything else. Maybe some of the organisers had experience of stewarding previous parades where motorcyclists have ridden in the midst of the walkers and created a little unintentional concern and no doubt a few squashed toes. Putting the bikes at the front meant they could be clear of walkers and can proceed at their own pace, not to mention give a powerfully roaring start to the parade.

Groups of motorcyclists had been appearing in various civic parades since the 1940s, though their appearances in slower-moving marches like those of the early Pride marches were less frequent until the marches became less politically motivated and more community centred.

In the 1970s seeing a woman on a motorbike, even in the USA, was not a very common sight. It was a very male-dominated mode of transport. To see how the Dykes on Bikes got to San Francisco in the first place we have to go back to before World War II.

Even though the First World War and female suffrage took the role of women out of the domestic stereotype and into the traditionally male-dominated industries when the men were called up for war, the stereotype returned once the war was over. Women, however, fought to get their full roles in society recognised. Through most of the remainder of the 20th century women were seen as housewives rather than bread-winners. Any woman who didn’t conform to the stereotype was often (derogatively) referred to as a feminist or lesbian, whether they were actually a feminist or lesbian or not.

We have to go back 100 years to learn of female motorcyclists who made their mark. Mother and daughter Avis and Effie Hotchkiss hit the headlines in 1915 when they became the first women to cross the USA on motorbikes. However, this didn’t inspire a flood of women to take up the machine and very few made their mark until the 1940s. But there were enough women bikers around by 1940 to encourage the formation of the Motor Maids, an all-female motorcycle association still in existence today (it’s a pity they have an awful Disney-style uniform instead of biking leathers). The Motor Maids were the first female biking group to appear in parades, the first of which (as far as I’ve been able to verify) was in Ohio in 1943. Most of their parades have been on racing tracks at race meets where they can ride around at speed.

During the war in the 1940s women were again called up to fill the positions in industry and engineering vacated by the men enlisted for war. The US War Department also recruited women for engineering work. The Woman’s Army Corps (WAC) in particular attracted many volunteers, particularly after 1943 when screening standards were loosened to help fill the rapidly decreasing work force. It didn’t go unnoticed by the top brass in the WAC that many lesbians were signing up for service as a consequence. In response the War Department introduced regulations banning open lesbians from entering the armed forces.

The chance to work with engines, vehicles and motorcycles appealed to many women and lesbians who felt more comfortable with them than spending all day in the kitchen. The added appeal of being in a predominantly female environment was not lost on lesbians.

During the war many women gained skills they wouldn’t have had had before, so that by the time the war was over in 1945 many thousands of women were trained mechanics and very familiar with the workings of engines on all types of vehicle.

The attitude towards lesbians in general had not changed and many of them had no choice but to return to their pre-war closets and kitchens once peace was declared. Some, however, were able to take advantage of their new-found freedom and refused to conform to the stereotype. Their openness and determination paved the way for the more political openness in the 1960s as feminism and lesbian activism developed.

San Francisco has always been seen as a more progressive and diverse city than others in the USA. So it comes as no surprise that motorbiking lesbians became more visible in the lgbt community there than anywhere else. Which means that by the 1970s there were enough “dykes on bikes” in the city to gather for the 1976 San Francisco Pride, around 25 of them, and form the first official Dykes on Bikes contingent at the head of the parade.

Today the Dykes on Bikes is an international organisation with 22 chapters around the globe. As they enter their 40th year next month the organisation is as strong as ever, and when they celebrate their 40th anniversary in 2016 they could make an appearance at next year’s Nottinghamshire Pride parade.

Sunday, 31 May 2015

City Pride : Tel Aviv and the Aguda

The Aguda is Israel’s first lgbt organisation and in 9 days time will begin celebrating its 40th anniversary with a 3-day conference in the city in which it was founded, Tel Aviv. The celebrations are timed to coincide with Tel Aviv Pride, and as this is the largest Pride event in Asia we’re looking at some of its lgbt heritage.

First of all, we’ll look at The Aguda itself. The name is taken from the Hebrew for “the association” and is the short version of its full English name, the Israeli Gay, Lesbian, Bisexual and Transgender Association. It was founded in 1975 under the name of the Society for the Protection of Personal Rights. The present name was officially adopted in 1999, and organised Israel’s first lgbt Pride in 1997.

The anniversary conference is the largest world gathering of lgbt community leaders to be held in Tel Aviv and is being organised by The Aguda in conjunction with A Wider Bridge, an American lgbt organisation. The first keynote speaker will be Christophe Girard, the openly gay French mayor, and the conference ends with another by Seattle mayor Ed Murray.

So, what are the snippets of Tel Aviv’s lgbt heritage have I chosen to feature in today’s City Pride? Well, here they are:

1) Gan Meir Park : Possibly the main hub of lgbt heritage in the city. The municipal LGBT Community Centre is located in this park. The park contains the memorials to lgbt Holocaust victims and to the victims of the 2009 shooting outside The Aguda’s office (no. 6). The annual Tel Aviv Pride parade had begun from here in recent years.

2) Rabin Square (formerly known as the Kings of Israel Square) : This was the location for Tel Aviv’s, and indeed Israel’s, first ever lgbt  Pride parade called the Tel Aviv Love Parade which took place in 1997.

3) Tel Aviv City Council building : The first lgbt elected to political office in Israel was Tel Aviv lawyer Michal Eden. She was elected as a city councillor in 1998. A campaigner since she was in her 20s Michal fought to secure registration for lgbt couples. Before being elected she founded an emergency refuge for lgbt teenagers.

4) Independence Park : For several years this was the venue for Tel Aviv’s annual drag festival called Wigstock. In 1998 there was confusion between the festival organisers and the police over what time the event was supposed to finish. Crowds and police spilled out of the park and into the streets in what has been called the “Wigstock Riots”.

5) The Aguda’s head office.

6) The Royal Beach Hotel : The venue for the Aguda’s 40th anniversary conference.

7) The French Consulate : To tie in with Mayor Girard’s keynote speech at the conference I include the French Consulate because it was the work place of gay French diplomat called Gérard Araud. He began his diplomatic career here as First Secretary from 1982 to 1984. He returned as full Ambassador to Israel from France from 2003 to 2006.

8) Evita Bar : Tel Aviv’s oldest permanent gay bar. It started life as a coffee-restaurant in 2000 and has developed and grown into one of the city’s main lgbt venues.

Thursday, 28 May 2015

Around the World in 80 Gays : Part 10 - Danes

Last time : 25) Lydia Cabrera studied the influence on Cuban religion of traditional African deities, one of whom, 26) Ochossi, is closely associated with fellow patron god of archery, 27) Apollo, who won a song contest against 28) Pan in an ancient version of the modern Eurovision Song Contest of which 29) Bob Benny is the earliest known lgbt entrant.

29) Bob Benny (1926-2011) was born in Sint-Niklaas in Belgian Flanders. His real name was Emeil Wagemans and he adopted the stage name Bob Benny after Bob, the leader of the Metro Club Orchestra with whom he performed and who played the clarinet like the famous bandleader Benny Goodman.

Bob began performing in his home town after World War II. He became a very popular singer and had his first big hit in 1957 with “Cindy, Oh Cindy”. This led to his selection as the representative for Belgium at the 1959 Eurovision Song Contest in Cannes.

As Eurovision celebrates its 60th contest this month it is fitting that we should recognise 29) Bob Benny as the contest’s first known lgbt contestant, though he wasn’t openly gay at the time. As a very well-known and popular singer he feared the effect coming out as gay would have had on his career. He said later in his life that he regretted not coming out sooner, which he did in 2001 at the age of 75. In 2000 Bob suffered a stroke. He became unable to perform and spent the rest of his life in a rest home in his home town. He died on 30th March 2011.

Bob Benny performed in two Eurovision Song Contests. His second was in 1961. This time round his song didn’t do very well. He had finished 6th in 1959, but in 1961 he was equal last with only one vote – from Luxembourg. Ironically, Belgium didn’t give Luxembourg any votes at all, and Luxembourg ended up as that year’s winner. Belgium’s low score may have had nothing to do with either the song or Bob Benny but because of a protest vote against Belgium’s recent involvement in a war in the Belgian Congo.

29) Bob Benny’s connection to the next of our “80 Gays” comes through the person who gave the votes from the Danish jury in 1961, Claus Toksvig (readers in the UK will guess where we’re heading). Denmark was one of the 15 nations who gave Belgium the dreaded “nil points”.

Claus Toksvig was one of Denmark’s most respected journalists and broadcasters. And in the UK so is his daughter 30) Sandi Toksvig (b.1958). Sandi has spent most of her life in the UK and is best known today for her appearances on several tv and radio quiz shows, as either presenter or guest, but her early appearances on television were as a comedian and children’s programme presenter. She is also a prolific writer of both fact and children’s fiction.

An unexpected side of Sandi’s life was revealed to the public in 1999 when she made the first of several appearances on “Time Team”, a hugely popular archaeology series that ran for over 20 years in the UK. Up till then people had no idea that she had a first class degree in archaeology from Cambridge University (curiously, this significant part of her broadcasting career is ignored on her current Wikipedia entry). In fact, at Cambridge Sandi was awarded the Raemaker’s Prize for Archaeology.

I don’t have that many lgbt archaeologists on my databases, and even fewer Danish ones. Other than Sandi Toksvig the only other Danish lgbt archaeologist I have (who also has a link to her father) is 31) Eigil Knuth (1903-1996).

I wrote about Eigil Knuth a couple of years ago when I had archaeology as one of my “Ologies of the Month”. On that occasion I wrote about the significant discovery he made of the world’s most northerly human settlement in Greenland.

During World War II Eigil worked for Denmark’s national radio station when the country was under Nazi occupation, having been prevented from pursuing his archaeological expeditions to Greenland. Ostensibly, Eigil’s role was to broadcast Nazi propaganda, but in fact he was also working secretly with the Danish Resistance and broadcast coded messages to the Allies. A decade later 30) Sandi Toksvig’s father would work as a foreign correspondent and announcer at the same radio station, commentating of 5 Eurovision Song Contests as well as announcing the Danish votes in 1961.

Before he was unwillingly coerced into broadcasting propaganda for the Nazis, and before his first archaeological expedition, Eigil Knuth graduated as a gymnastic teacher from one of the most famous gym colleges in Europe at the time, at Ollerup. Supervising the training of the students was the college’s founder, and infamous Nazi supporter, called 32) Niels Bukh (1880-1950).

Next time we see how gymnastics was influential in the development of the bondage and sado-masochism scene.

Monday, 25 May 2015

Simeon's Dignity Restored

Regular readers will know that I’m a fan of Pre-Raphaelite art and have a special interest in the work of Simeon Solomon, a gay Jewish associate of the Pre-Raphaelite Brotherhood.

Over the past couple of years Frank Vigon has been campaigning and raising funds to have Simeon’s grave restored to some sort of dignity after he found it neglected and derelict. I’ve been following this campaign on this blog.

Last July the grave was finally restored and I was invited to go down to the Willesden Jewish cemetery to attend the small ceremony that had been arranged. Unfortunately, I was unable to go down due to work commitments. I hope to go down later this year to pay me respects this undeservedly under-recognised gay artist.

Simeon Solomon was not one of the “official” Pre-Raphaelite Brotherhood, but he knew them all. His paintings usually depicted Biblical or Hebrew subjects and his figures were often androgynous in appearance. In 1873 he was arrested for homosexual activity and imprisoned. In jail he continued to draw, though the only materials he was allowed to use were pastels, chalk and charcoal.

After his arrest many of Simeon’s friends abandoned him, and when he was released he struggled to achieve the position in society and the art world he had previously held.

Simeon’s reputation suffered throughout most of the 20th century. One of the first academics to do serious research into Simeon’s life and work was Lionel Lambourne. Since then, the 1960s, Simeon’s reputation had grown as his full story has become more widely known and many people, myself included, were first attracted to Simeon Solomon through his art and not his lifestyle.

At the unveiling ceremony of Simeon’s grave were several members of his family who have always been proud of their famous relative. Also there was the widow of Lionel Lambourne, and members of the Simeon Solomon Research Archive. Several dozen enthusiasts and admirers of Simeon’s work gathered with them at the grave side where Frank Vigon, the prime mover in the fundraising and restoration, thanked everyone (present and absent) who had helped him to reach this proud day.

Below you can see two photographs of Simeon’s grave (Ó Simeon Solomon Research Archive). At the top is the grave in its dilapidated state as it was discovered by Frank Vigon several years ago. Underneath is the newly restored grave with the original headstone reset and a new memorial stone placed over the grave.  An inscription around the edging stones reads “This grave has been restored with donations received from individuals, museums and galleries, arts and social organisations, and religious communities in admiration and appreciation of the art of Simeon Solomon.”

Friday, 22 May 2015

Eurovision 60


If there’s one event in Europe that was created to encourage harmony which has created its fair share of disharmony then it has to be the Eurovision Song Contest.

The brainchild of the European Broadcasting Union (Eurovision) the 60th contest is being held this week. During the past 30 years, however, countries have often been accused of voting politically. This was seen most clearly after the break-up of Communist eastern Europe when former Soviet states tended to give the highest votes to other former Soviet states.

From its modest beginnings in 1956 the Eurovision Song Contest has now become something of a monster. I was a keen fan at one time, not so much these days. Acting like a kind of reverse mirror the lgbt (predominantly gay male) Eurovision fan-base has become more visible. In fact it’s got to a stage where the contest is regarded as a “gay-fest” in most of the countries where homophobia is common.

Lgbt Eurovision fans have always existed, just as they have with other forms of entertainment. Perhaps the year the community realised they could express their enthusiasm visibly was the success in 1998 of the contest’s first openly transgender winner, Dana International. Since then some participating nations have used any excuse to use contestants or songs to get on their homophobic, political soap box. The words of last year’s winner, Conchita, in her acceptance speech was a defiant statement  – “This night is dedicated to everyone who believes in a future of peace and freedom. You know who you are. We are unity. And we are unstoppable”. And I’m not the only person who demands that Conchita must sing the next Bond theme!

Conchita’s victory gives the perfect excuse to look at the other known lgbt participants of the Eurovision Song Contest. I was surprised to learn that the first of these was way back in 1959. Bob Benny competed for Belgium, and I’ll write more about him next week in my “Around the World in 80 Gays” article.

For the purposes of today’s article I’m listing the lead or backing singers who appeared on stage during the grand final (and the semi-finals that were introduced in 2004). I haven’t included members of the orchestra, presenters, designers, voting panels or production crew. Nor have I included singers who competed in the various national heats and finals. These could easily form a future article.

There have been 3 lgbt singers, all solo artists, who have won the contest outright, and another was a backing singer to another winner.

In the list below the singer’s name may also be followed by the name of the group or duo of which they were a part, or indicates for whom they were a backing singer. Other information is also given. There is no space to give the name of the host city or title of the song. In the final placings column the number indicates the position in the grand final, e.g. 6/11 means the performer finished 6th out 11 countries in the final. No final placing indicates the performer didn’t get pass the semi-final stage. 

Year
Eurovision Performer
Representing
Final
Place
1959
Bob Benny
Belgium
6/11
1961
Bob Benny
Belgium
=15/16
1968
Ronnie Tober
Netherlands
16/17
1973
Patrick Juvet
Switzerland
12/17
1976
Jürgen Marcus
Luxemburg
14/18
1979
Louis Hendrik Potgieter (Dschinghis Khan)
Germany
4/19
1986
Olav Klingen and
Jonny Nymoen
(Eurovision’s 1st drag act; backing act for Ketil Stokkan)
Norway
12/20
1988
Gerard Joling
(contest won that year by Celine Dion)
Netherlands
9/21
1989
Alex Panayi
(backing singer for Fani Polymeri & Yiannis Savvidakis)
Cyprus
11/22
1991
Alex Panayi
(backing singer for Elena Patroklou)
Cyprus
9/22
1992
Christer Björkman
Sweden
22/23
1994
Jan Werner Danielson (with Elisabeth Andreassen)
Norway
6/25
1995
Alex Panayi
Cyprus
9/23
1997
Paul Oscar
Iceland
20/25
1998
Dana International
(1st openly transgender entrant)
Israel
1/25
2000
Alex Panayi (Voice, with Christina Argyri)
Cyprus
21/24
2001
Michelle Courtens
Netherlands
18/23
2002
Gary Revel jr.
(backing singer for Laura Voutilainen)
Finland
20/24
2002
Srecko Blas (Sestre)
Slovenia
13/24
2002
Damjan Levec (Sestre)
Slovenia
13/24
2002
Tomaz Mihelic (Sestre)
Slovenia
13/24
2004
Jari Sillanpää
Finland
-
2004
Tomas Thordarsson
Denmark
-
2004
Deen
Bosnia
9/24
2005
Donna McCaul
(Donna and Joe, with brother Joseph)
Ireland
-
2005
Alex Panayi
(backing singer for Helena Paparizou)
Greece
1/24
2006
Brian Kennedy
(the 1,000th entry/song)
Ireland
10/24
2006
Andreas Lundstedt (six4one)
Switzerland
16/24
2006
Azis
(backing singer for Mariana Popova)
Bulgaria
-
2007
Ola Salo (The Ark)
Sweden
18/24
2007
Marija Seriforic
Serbia
1/24
2007
Peter Andersen (DQ)
(1st solo drag entrant)
Denmark
-
2009
Gordon Heukeroth (The Toppers)
Netherlands
-
2009
Alex Panayi
(backing singer for Sakis Rouvas)
Greece
7/25
2011
Duncan James (Blue)
UK
11/25
2011
Dana International
Israel
-
2012
Alex Panayi
(backing singer for Litesound)
Belarus
-
2013
Ryan Dolan
Ireland
26/26
2014
Conchita
Austria
1/26