Pages

Sunday, 30 November 2025

Advent 1: A Seasonal Forest

This year’s 4-part Advent series covers several topics – Christmas decorations, music and literature.

Let’s start by decorating the Christmas tree. A quick history lesson first. The Christmas tree began life as the Paradise Tree that was set up in churches during the Middle Ages on Christmas Eve. This was the centrepiece of the Paradise Play, a retelling of the story of Adam and Eve, whose feast day is December 24th. The Paradise Tree represented the Tree of the Knowledge of Good and Evil in the Garden of Eden and could have been an evergreen, or a deciduous tree with fake leaves, it wasn’t important. The tree would also be decorated with apples (hence the original Christmas baubles invented in the 16th century in Germany were made of red glass) and communion wafers.

The common misinformation and propaganda from people who claim that the Christmas tree is a pre-Christian pagan symbol is not verified by any evidence – it is an unproven opinion based on only one fact, that there were sacred trees in pre-Christian times. The only pre-Christian evidence comes from Judaism, which isn’t paganism. Trees and plants have been used are decorative objects all over the world without any religious context. Do you have some in your home today – are they there as objects of worship? Its like saying Pride marches are pagan festivals because people paraded to Stonehenge thousands of years ago to celebrate the solstice.

The first secular Christmas tree, one erected by the people not the Church, originated in Latvia in the 15th century. There’s an excellent little book called “Inventing the Christmas Tree” by Bernd Brunner. It’s a most diligently researched book, and it is available on Amazon.

Today, Christmas trees start appearing in shopping centres and malls as early as the beginning of November, sometimes earlier. A lot of the trees are traditional, but occasionally you might see an imaginative twist on the usual fir or spruce tree.

For imaginative ideas for your own tree you can do no better than get inspiration from the Christmas trees erected in one of London’s poshest hotels, Claridge’s. The Creative Director behind most of them was Michael Howells (1957-2018), who was also responsible for the production design of films such as “Nanny McPhee” and the tv series “Victoria”. For Claridge’s he collaborated with a “Who’s Who” of designers, many of whom, like himself, were members of the lgbt+ community. The first two Claridge’s Christmas trees in 2009 and 2010 were collaborations between Michael Howells and gay Maltese fashion designer John Galliano. Claridge’s own website has a list and images of all their trees.

Another gay designer who has created a tree for Claridge’s is Guy Oliver (b.1967), but it wasn’t a Christmas tree.

In 2014, Claridge’s invited Guy to design the interior of Fera, their new restaurant. Guy removed some of the interior (non-original) walls which had created barriers in the area, and he brought in new lighting. In the centre of the restaurant he placed a sand-blasted tree, a real one.

Guy Oliver has also designed Christmas trees and decorations for other venues, stately homes, and private residences. Despite creating fabulous decorations which cost hundreds of pounds to make, Guy always tries to be economical with his materials wherever possible. In 2020, when the world was still in covid lockdown, Guy came up with several ideas for Christmas decorations which families and individuals at home could make for themselves without having to do a lot of shopping.

These ere simple ideas, ones that may be familiar to you. Some of them I have tried myself over the years, and they are much better than the commercial versions that cost too much. You can discover his ideas here.

I’ve written a couple of entries myself on Christmas decorations on this blog. Here are links to them:

Three Kings decorations.

Danish pleated hearts and silhouette shapes.

To end with, I’ll tell you about my own decorations. Since 2021, when I began in-depth research into Christmas, I’ve been buying or making figures of various characters associated with the festive season (all in proportion so that they matched in height). Figures of Santa Claus and angels were no problem as they are sold everywhere, but I couldn’t find figures of the Dutch Sinterklaas, the Russian Ded Moroz, or even Krampus, so I began to make my own. For figures I did not make from scratch, I bought dolls and action figures and modified them into the characters I desired.

Below is a photo of figures I had bought or made in time for Christmas 2022. From left to right they are (back row): Pelzmärtl (Bavaria, Germany), St. Lucy (from Sweden and northern Italy), an angel, Santa Claus, Snegurochka (Russian Snow Maiden). Front row: an elf, Tió de Nadal (Spain), Julnisse (Scandinavia). It’s easy to see which I’ve modified and which are as bought.

I’ve added more each year, and now I have 27 different Christmas figures dotted around the room, including Sinterklaas, the Australian Wangkarnal, and Mrs. Claus. This year’s new additions (all made from scratch) are the Christmas Spider, Anguleru (Asturias, Spain), Staffan Ställegrang (Sweden) and the Biggeresel (Baden-Württemberg, Germany).

Next Sunday we’ll look at how a German gay rugby club contributed in creating a decorative Christmas Guinness World Record.

Sunday, 2 November 2025

Honouring The Dead

Here’s something different to my usual Hallowe’en article. Just for a change, here’s my take on Hallowe’en and how today, All Soul’s Day, is just as important, and how one lgbt community has turned Hallowe’en’s true meaning into a popular celebration.

I’m sure you know that Hallowe’en is short for Hallows Evening, the night before All Hallows (or All Saints) Day, when the lives of Christian saints are honoured. This is followed by today, All Souls Day, when lives of all the departed are honoured. Hallowe’en is the English name for the Festa di Ognissanti, the real name, celebrated in Catholic churches today, and they don’t celebrate it with trick-or-treat and pumpkins (unless they copy the Americans).

I’ve often felt uncomfortable about the way Hallowe’en is celebrated. I know what the word Hallowe’en actually means and what it symbolises, and neither have anything to do with horror, trick-or-treat, or pumpkins. Most modern Hallowe’en practices originate in the USA, and most (not all) of them were appropriated from European Christmas traditions.

As I grew up I went along with the horror aspect of Hallowe’en because I was led to believe by the media that this was how it should be celebrated. When I left school I began research into all things historical, and I realised that what I was told about a lot of things were not completely accurate, including Hallowe’en.

There’s nothing wrong with having a bit of fun at Hallowe’en. I enjoy sitting down to watch “Abbott and Costello Meet the Mummy” or “Carry on Screaming”. But, like other genuine Christians, I also mark the day as it should be. No pumpkins, no scary costumes, and definitely no trick-or-treat.

Being quarter Irish, my main misgiving about modern Hallowe’en is the false belief that it is an Irish Celtic pagan festival. Neo-pagans and anti-Christians consistently claim that it originated in something called Samhain. They provide no evidence, except to repeat a lot of unsourced 17th century suppositions.

The name Samhain first appears in the 9th century, AFTER the Catholic Church created All Saint’s Day and Hallowe’en. The idea that Celts had a festival in October or November was first suggested in the 17th century by amateur “historians” who based their history on folklore and legend, not documentary evidence. There isn’t even any evidence to say what Samhain actually was. A festival? A month? A season? People who believe those old “historians” remind me of Mr. Copper in the “Doctor Who” episode “Voyage of the Damned”, who gives this description of Christmas:-

There are many reasons why horror, monsters and gore became associated with Hallowe’en, which will take too long to explain. Most of them don’t come from the Celts but from Germanic Christmas customs, but the Christian Hallowe’en has always been about honouring our ancestors, not being scared by them. Ironically, neo-pagans appropriated this idea for their modern Samhain.

European colonists in the 16th century took the above-mentioned Festa di Ognissanti with other festivals to the New World. The Spanish, in particular, had a large empire in the Americas, and it is in Latin America where we find that the closest observances to the original Hallowe’en are still celebrated. Their celebration is called the Dia de los Muertes. You probably know it better as Day of the Dead.

Let’s have a look at what is probably the longest running lgbt Day of the Dead festival, the Calavera LGBTQ Festival in Los Angeles, California, USA.

Calavera is the name given to representations of the human skull that are decorated with colourful patterns. You’ve probably seen some of these in your area. Originally, in the 18th century, they may have just been sugar candy skulls given to children.

 The Calavera LGBTQ Festival was created by the Latino Equality Alliance (LEA), an organisation founded in 2009 in response to California’s Proposition 8, a state amendment that outlawed gay marriage. LEA’s purpose is to promote equality and community for those of Latin-American heritage.

In 2016 LEA produced their first lgbt Day of the Dead events. First was a workshop where visitors could learn about the meaning and spirituality of the occasion and place small gifts on an ofrenda, an altar traditionally erected to honour the dead. These altars are erected everywhere during Day of the Dead, including people’s homes, in communal areas in streets, and on the graves of family ancestors. Several days later LEA hosted a Calavera Dance Party, where guests painted their faces like calaveras.

The impetus for the creation of this event was the terrible shooting in the “Pulse” nightclub in Orlando, Florida, the previous June in which many young people, mainly lgbtq, were killed. Perhaps LEA was also inspired by their Youth Council, who had set up an ofrenda in October 2015 to honour transgender murder victims.

In 2017 LEA held their second event, renamed the Calavera LGBT Community Celebration, and this marked the start of its annual return. Since then, ofrendas and acts of remembrance have gone alongside celebrations and traditional dances, and at the same time raising money for local lgbt Latin-American causes and charities.

From 2019 the event has had its current name of the Calavera LGBTQ Festival and has been held every year since then. Like many events during the Covid Year, 2020, the festival was held online, and was available to a wider audience. In 2021 the festival returned to its usual format. The most recent festival was held on 18th October.

With the focus of Hallowe’en, All Souls Day, and the Day of the Dead all being on honouring your ancestors it provides a perfect occasion for genealogist and family historians, which is how I usually celebrate these days. I concentrate on doing family history research (which is what I’m going to do after I’ve posted this, particularly research into my great-uncle who was a professional boxer) and placing (plastic) roses around photos of my family. For an alternative celebration you could decorate the walls with lgbtq flags as though it was Pride Month or your local Pride, or celebrate whatever other community you identify with, or all communities.